Painting Workshop

This workshop revisited the importance of composition in a piece of art, and how the layout must be interesting for the viewer to "read" the painting. We started with thumbnail sketches and colour studies using gouache. I had forgotten how complex this process can be. Patience is once again a big part of the process. I myself had gotten frustrated in this process. I never thought of myself as a painter and found this workshop to be somewhat of a challenge. This puts me in the shoes of my pupils. Not the most confident in this particular medium but am willing to try and eager to learn. Instilling the patience with oneself and allowing for mistakes which gives more of an opportunity to learn.

We worked together in small groups. With a collection of objects each member of the group had brought in, we agreed on how the composition should be laid out. Again the team work of myself and the fellow PMEs help to strengthen the support system that is available, but we also discuss the importance of composition and what makes a successful composition. It reinforces what we have learned and will help it better retain this information. The thumbnail sketches were very useful in the planning out of the painting. It helps to plan out the negative space and to see whether it will be a success or not.

When the painting actually begins, some start off using pencil, others opt to go straight in with the paint. I choose the latter method. I decided to start with a purple wash and then build up the paint. The colours came up very nicely, and I was happy with the end result. I choose to leave part of the wash to be seen, I found that the purple worked quite well with the white of the clothe and the yellow that could be seen in the fruit. While there are improvements that can be made, I feel that it is a successful composition.

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17th September 2018

Class: 1Art – 1.2 Time: 09:00 – 11:40 (double period) Date: 17/09/18 School: Coláiste Choilm Mentor: Mary O’ Mahony Pupils entered the class boisterously. My co-operating teacher settled them down by greeting them and by asking for the pupils to bring up their string drawings from the previous class. The pupils then made rubbings from the string drawings. Following the completion of the rubbings they were hung up on the wall. The class gathered around them and discussed the things they noticed about the rubbings. Among the comments made about the rubbings, it was pointed out that the rubbings were different from other drawings that they had done before. It was a good strategy to introduce the students to peer assessment. This acts as a brief introduction to print. It allows them to see where ink would be in a print. The class then moved onto Contour line. The co-operation teacher had a PowerPoint presentation ready w...

Drawing: the Face

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Graphic Design and Lino Printing: A Comparison

Lino Health and safety is a key aspect when teaching and working with lino print. The risk of injury is quite high, the blades are sharp and because of the density of traditional lino(grey in colour) this can cause the blade to jump. It is important to reiterate cutting away from themselves, turning the lino on the bench hook to ensure that the blade never faces into the cutter. In terms of introducing this method to pupils, I think it would be a great success. It is a new way of making art that they may not have encountered before. It requires the pupils to think in a different way of mark making as well as planning the composition of their lino cutting. Every cut they make will be the white or negative space of their image. In terms of composition, their initial drawing will be printed mirrored. This method of art requires higher level of cognitive thinking as it requires problem solving on behalf of the pupils. Graphic Design Preliminary drawings are an important as...

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